Emanuelle's Revenge

Francene is abused and degraded by her husband Cardi (played by Italian actor George Eastman), and eventually she kills herself. Her sister Emanuelle then chains Cardi in a soundproof room with a two-way mirror, and tortures him by having sex with men and women, in which he cannot participate. Eventually driven mad, he proceeds to make his escape.

How far is a man willing to go to be with the woman he wants? Erika (Isabelle Huppert) is a veteran piano instructor at a famous music conservatory in Vienna. Erika is highly respected for her remarkable talent and strong discipline, but she's also known to be a harsh taskmistress and does not suffer fools gladly; among her students, Erika's class is considered a highly rewarding challenge, but difficult to weather. Erika seems to get her stern and unforgiving nature from her mother (Annie Girardot), with whom she still lives, and without a husband or a lover.

Erika satisfies her strong but frequently perverse sexual appetites through extreme porn videos, voyeurism, and masturbatory practices that sometimes involve pain and self-mutilation. Erika discovers she has attracted the attentions of one of her students, Walter (Benoit Maginel), a gifted and good-looking young man who does not seem at all put off by her icy personality. She refuses to acknowledge Walter's romantic overtures, but when he rises to the defense of a fellow student after a recital, Erika is enraged, and Walter pursues her, finally following her as she storms off to the women's room.

Erika abruptly approaches Walter in a rough sexual fashion, but refuses to fully satisfy him until he is willing to allow her to control the relationship. When Walter becomes aware of just how much pain and humiliation is involved in Erika's erotic bill of fare, he refuses to participate, but in time his attraction to her causes him to weaken, and he begins to accede to her sexual demands. La Pianiste was shown in competition at the 2001 Cannes Film Festival, where Isabelle Huppert and Benoit Maginel were named Best Actress and Best Actor, and writer/director Michael Haneke received the Jury's Grand Prize. ~ Mark Deming, Rovi

Erika Kohut (Isabelle Huppert) is a piano professor at a Vienna music conservatory. Although already in her forties, she still lives in an apartment with her domineering mother (Annie Girardot); her father is a long-standing resident in a lunatic asylum.

The audience is gradually shown truths about Erika's private life. Behind her assured façade, she is a woman whose sexual repression verges into full-fledged desperation and is manifested in a long list of paraphilias, including (but by no means limited to) voyeurism and sadomasochistic fetishes such as sexual self-mutilation.

When Erika meets Walter Klemmer (Benoît Magimel), a charming 17-year-old engineering student from a bourgeois background, a mutual obsession develops. Even though she initially attempts to prevent consistent contact and even tries to undermine his application to the conservatory, he eventually becomes her pupil. Like her, he appreciates and is a gifted interpreter of Schumann and Schubert.

Erika destroys the musical prospects of an insecure but talented girl, Anna Schober, driven by her jealousy of the girl's contact with Walter — and also, perhaps, by her fears that Anna's life will mirror her own. She does so by hiding shards of glass inside one of Anna's coat pockets, damaging her right hand and ruining her aspirations to play at the forthcoming jubilee concert. Erika then pretends to be sympathetic when the girl's mother (Susanne Lothar) asks for advice on her daughter's recuperation. (The sub-plot of the pupil and her mother, mirroring the main relationship in the film, is absent in Jelinek's novel.) In a moment of dramatic irony, the girl's mother rhetorically asks Erika who could do something so evil.

Walter pursues Erika into a restroom immediately after she has secretly ruined her pupil's hand. Walter passionately kisses Erika even though she is rebuffing him. Erika finally responds to his passion, but insists on controlling, humiliating and frustrating Walter, mirroring her own relationship with her mother.

Walter is increasingly insistent in his desire to start a relationship with Erika, but when she finally acquiesces, he is unwilling to indulge her violent fantasies, which repulse him. The film climaxes, however, when he attacks her in her apartment in the fashion she let him know she desired, beating and then raping her. She discovers that the reality of her desires does not match her conception of them.

Erika takes a kitchen knife to a concert in which she is supposed to fill in for the injured Anna. She meets Anna and Anna's mother, and Walter, in the foyer of the concert hall. Minutes before the concert is due to start, Erika stabs herself in the shoulder and leaves the foyer. Her onscreen injury is not especially severe, but the implication is that further self-harm will ensue.

Endless Love is a 1981 romantic drama film directed by Franco Zeffirelli, starring Brooke Shields and Martin Hewitt. The screenplay by Judith Rascoe was adapted from the novel by Scott Spencer. The original music score was composed by Jonathan Tunick.

The film was a moderate box-office success, and the film's theme song by Diana Ross and Lionel Richie, also called "Endless Love", became a #1 hit on the Billboard Hot 100, and was the biggest-selling single in Ross' career. This is also Tom Cruise first movie. The song won as best song during the 1981 Academy Award.

At the height of her popularity just after "The Blue Lagoon", Brooke Shields starred in "Endless Love", an adaptation of Scott Spencer's best selling novel of the same name. Directed by Franco Zefferelli ("Romeo & Juliet"), the film was poised to be a huge success. Unfortunately it was only moderately successful and remains unreleased on DVD in the U.S.. The story of a 17 year old man (Martin Hewitt) in love with a 15 year old (Brook Shields) is quite powerful and though many who loved the book did not like this film version, everyone else (sans critics) love it! The theme song from the film sung by Lionel Richie & Diana Ross was (and still is), one of the biggest hits ever produced. Tom Cruise, James Spader & Ian Ziering all made their major motion picture debuts in the film as well (and all 3 can be seen in this tribute). I hope you enjoy it! Mambo Italiano is a 2003 comedy-drama/indie film, set in Montreal, Québec, Canada, and directed by Émile Gaudreault. The screenplay was written by Gaudreault and Steve Galluccio, based on Galluccio's theatrical play by the same name. The play/film is based on Galluccio's own life and experiences.

Angelo Barberini (Luke Kirby) is the oddball son of Italian immigrants Gino (Paul Sorvino) and Maria (Ginette Reno), who inadvertently ended up in Canada rather than the United States of America. Angelo shocks his parents - and his sister, Anna (Claudia Ferri) - by moving out on his own without getting married, and, shortly after that, shocks them further still when he reveals that he's gay. But his boyfriend (and childhood best friend), policeman Nino Paventi (Peter Miller), isn't as ready to come out of the closet - especially not to his busybody Sicilian mother, Lina (Mary Walsh).

Amistad is the name of a slave ship traveling from Cuba to the U.S. in 1839. It is carrying a cargo of Africans who have been sold into slavery in Cuba, taken on board, and chained in the cargo hold of the ship. As the ship is crossing from Cuba to the U.S., Cinque, who was a tribal leader in Africa, leads a mutiny and takes over the ship. They continue to sail, hoping to find help when they land. Instead, when they reach the United States, they are imprisoned as runaway slaves. They don't speak a word of English, and it seems like they are doomed to die for killing their captors when an abolitionist lawyer decides to take their case, arguing that they were free citizens of another country and not slaves at all. The case finally gets to the Supreme Court, where John Quincy Adams makes an impassioned and eloquent plea for their release.

Nicola's beautiful wife is brutally murdered in the shower immediately after he discovers that she has been cheating on him. Naturally the police assume Nicola is responsible, but the possibility of another suspect becomes more and more likely...

Apparently produced for Italian TV, this is still a rather more bloody and perverse film than you’d get from US or UK TV stations, and it generally holds up pretty well. It’s pretty fast paced, directed with some style and there’s definitely a few standout moments (such as when on victim tries fending off the killer with an electric whisk – until she pull the cord out of the wall!). If you’re a fan of the giallo cycle, this is certainly one of the lesser entries but certainly worth checking out. However, as with any film in the genre, if you demand logical character interaction and believable endings, give it a miss!

Gerry Conlon (Daniel Day-Lewis) is shown in Belfast stripping lead from roofs when the security forces home in on the district with armoured cars, and the dustbin lids beat out a riot. His father later saves him from IRA justice, as they are about to kneecap him, and he is sent off to London for his own good. There he finds a squat, to explore, as he puts it, "free love and drugs." The evening when he walks off with some money from a prostitute's flat is when an explosion at a pub in Guildford kills five people (four soldiers and a civilian) and wounds 65.

Conlon returns to Belfast to share his fortune. His family home is raided by the British Army and Royal Ulster Constabulary who arrest him, and immediately place him on a military flight to the mainland UK. Gerry and his friend are interrogated by police who torture and threaten them until both finally agree to sign a confession after being held for up to seven days under the Prevention of Terrorism Acts 1974-1989. When his father Giuseppe travelled from Belfast to help his son, he was arrested at the family's relatives' home in England. In the subsequent trial, his aunt's family (known as the MacGuire Seven, including his father) are convicted of supporting the bombing on the basis of unsubstantiated nitroglycerine traces, and the four, including Gerry, are sentenced to long terms of imprisonment.

His time in jail shows a progression from a bitter son who rails at his father to an awakening when he discovers the real perpetrator of the bombing in the same jail. When this man sets fire to a hated prison guard, Gerry is the one who saves him with a blanket. Gerry takes over the fight for justice himself when his father dies in custody.

A campaigning lawyer (Emma Thompson) who has been investigating the case on behalf of Giuseppe in the wake of public campaigns demanding the release of the accused has a break when she tries to access his father's file and is able to look instead at Gerry's, finding that vital police documents in the file are marked "Not to be shown to the Defense". During the course of their appeal, the production of these documents leads to a triumphant scene in court when she produces the evidence that the police officers have been lying all the way through, which leads to the acquittal of all the accused.



Curse of the Golden Flower is a 2006 Chinese epic drama film directed by Zhang Yimou. With a budget of US$45 million, it was at the time of its release the most expensive Chinese film to date, surpassing Chen Kaige's The Promise. It was chosen as China's entry for the Academy Award for Best Foreign Language Film for the year 2006; but was not nominated in that category though it was nominated for the Costume Design.

In 2007 it received fourteen nominations at the 26th Hong Kong Film Awards and won Best Actress for Gong Li, Best Art Direction, Best Costume and Make Up Design and Best Original Film Song for (Chrysanthemum Terrace) by Jay Chou. The plot is based on Cao Yu's 1934 play Thunderstorm , but is set in the Imperial court in ancient China.

China, Later Tang Dynasty, 10th Century. On the eve of the Chong Yang Festival, golden flowers fill the Imperial Palace. The Emperor (Chow Yun Fat) returns unexpectedly with his second son, Prince Jai (Jay Chou). His pretext is to celebrate the holiday with his family, but given the chilled relations between the Emperor and the ailing Empress (Gong Li), this seems disingenuous. For many years, the Empress and Crown Prince Wan (Liu Ye), her stepson, have had an illicit liaison. Feeling trapped, Prince Wan dreams of escaping the palace with his secret love Chan (Li Man), the Imperial Doctor's daughter.

Meanwhile, Prince Jai, the faithful son, grows worried over the Empress's health and her obsession with golden chrysanthemums. Could she be headed down an ominous path? The Emperor harbors equally clandestine plans; the Imperial Doctor (Ni Dahong) is the only one privy to his machinations. When the Emperor senses a looming threat, he relocates the doctor's family from the Palace to a remote area. While they are en route, mysterious assassins attack them. Chan and her mother, Jiang Shi (Chen Jin) are forced back to the palace.

Their return sets off a tumultuous sequence of dark surprises. Amid the glamour and grandeur of the festival, ugly secrets are revealed. As the Imperial Family continues its elaborate charade in a palatial setting, thousands of golden armored warriors charge the palace. Who is behind this brutal rebellion? Where do Prince Jai's loyalties lie? Between love and desire, is there a final winner? Against a moonlit night, thousands of chrysanthemum blossoms are trampled as blood spills across the Imperial Palace.



My Own Private Idaho is a 1991 independent drama film written and directed by Gus Van Sant, loosely based on Shakespeare's Henry IV, Part 1, Henry IV, Part 2, and Henry V, and starring River Phoenix and Keanu Reeves. The story follows two friends, Mike and Scott, as they embark on a journey of personal discovery that takes them to Mike's hometown in Idaho and then to Italy in search of Mike's mother.

Van Sant originally wrote the screenplay in the 1970s, but discarded it after reading John Rechy's 1963 novel, City of Night, and concluding that Rechy's treatment of the subject of street hustlers was better than his own. Over the years, Van Sant rewrote the script, which comprised two stories: that of Mike and the search for his mother, and Scott's story as a modern update of the Henry IV plays. Van Sant had difficulty getting Hollywood financing, and at one point considered making the film on a minuscule budget with a cast of actual street kids. He sent copies of his script to Reeves and to Phoenix, assuming that they would turn it down, but both agreed to star in the film.

My Own Private Idaho had its premiere at the 1991 Venice Film Festival, and received largely positive reviews, from critics including Roger Ebert and those of The New York Times and Entertainment Weekly. The film was a moderate financial success, grossing over $6.4 million in North America, which was above its estimated budget of $2.5 million. Phoenix received several awards for his performance in the film, including the Volpi Cup for Best Actor at the 1991 Venice Film Festival, Best Male Lead from the Independent Spirit Awards, and Best Actor from the National Society of Film Critics.

The "miracle" in The Miracle Worker occurs when Sullivan and Keller are at the water pump refilling a pitcher. It is at this moment that Keller makes the intellectual connection between the word Sullivan spells into her hand and the tangible substance splashing from the pump. Keller demonstrates her understanding by miraculously whispering "wah-wah", the baby talk or gibberish equivalent of "water".

Many have questioned the reality of this depiction, as Keller had not uttered a single vowel in the course of the film, and, as an apparently prelingually deaf and blind child, would not have been aware of the existence of verbal communication. Although the moment of comprehension is the most satisfying scene in the film, it was designed for hearing audiences. A hearing audience would not be expected to fully relate to the importance of the moment by seeing Keller merely spell the word, which would require an understanding of the manual alphabet. Keller mimics the words Sullivan spells into her hand throughout the film by spelling them back in Sullivan's hand, so at this moment it would only seem that Keller was continuing to mimic without understanding the concept. To bridge that problem, the film's writer and director had actress Patty Duke (and others who portrayed Keller in subsequent remakes of the film) speak the word "wah-wah" while she fingerspelled "water". The moment of revelation thus becomes clear for hearing audiences, but has been criticized for setting unrealistic expectations for deaf children to "be like Helen Keller" and speak, when even the most gifted deaf child realistically takes years to utter a comprehensible syllable and a lifetime of speech therapy to maintain the ability. Keller herself never spoke with complete clarity although she practiced daily from her tenth year.

Nevertheless, according to Keller's own account in The Story Of My Life, she was not actually just a little baby when she experienced the illness that destroyed her sight and hearing; she was a year and a half old, at a developmental stage where she understood what was said to her and she had a small spoken vocabulary, including "How d'ye," "tea, tea, tea," and "water", which she in fact pronounced "wah-wah". She continued to say "wah-wah" long after becoming deaf; she describes it as the one word she kept, while substituting a large vocabulary of signs for everything else she wanted to say. She not only remembered that speech existed, but she constantly put her hands over others' mouths as they were talking and attempted to talk as well. This is depicted accurately in the play. Like Laura Bridgman, she did have that year and a half of developmental "normalcy", and it is not unreasonable to assume that this is one reason "water" was the first spelled word that gave her the understanding that the symbol and the water itself were meant to be linked.

The Shadow is a 1994 American superhero film, directed by Russell Mulcahy, and based on the character of the same name created by Walter B. Gibson in 1931. Alec Baldwin starred in the title role.



Warm Springs is a 2005 television film about American President Franklin D. Roosevelt's struggle with polio, his discovery of the Warm Springs, Georgia spa resort and his work to turn it into a center for the aid of polio victims, and his resumption of his political career. Roosevelt's emotional growth as he interacts with other disabled people at Warm Springs prepares him for the challenges he will face as president during the Great Depression.

Seducing Mr. Perfect

Min-joon, an absolute believer in true love, dedicates herself to the men she dates, but each time it results in a painful breakup. Today, she’s going through the most disastrous heartbreak ever – being dumped on her birthday! The confident professional Min-joon can be so clueless when it comes to love. Distracted from this unpleasant surprise, she bumps into an exotic foreign car. A very handsome young man steps out of the car angrily. To escape from the scene, Min-joon pretends not to understand English, but when Min-joon arrives at work, she finds out that the foreigner, Robin, is none other than her newly appointed boss…

After Part 1 (the first video above) is finished clicked on the top left( or right) video for the continuation. For example after this part 1, click at the video at top left( or right) of the page which is part 2 until the end of the movie which will be part 9. I enjoyed this movie very much.


Gervais finds his favorite Patsy Cline record, an imported collector's edition featuring the song “Crazy”, smashed into pieces; Zac confesses it was an accident. Gervais confides in his wife that Zac has "changed" and "dresses like a girl”. Laurianne says he is “gentle”. Overhearing them, Zac prays not to be "soft". Laurianne takes him to see "the Tupperware lady," who convinces Laurianne of Zac’s gift for healing people.

In 1975 Zac, his cousin Brigitte, and her boyfriend Paul smoke a joint together, and a "shotgun" sparks Zac’s sexual attraction to Paul. Later, Michelle, Zac's friend, tries to kiss him, but Zac urges her to stop before she ruins their friendship. Disappointed to learn Brigitte has a new Italian boyfriend, still haunted by the memory of Paul, and hoping to cure his asthma, Zac deliberately runs a red light on his motorcycle. He is struck by a car and hospitalized. Zac later learns Brigitte is back with Paul.

Toto, one of Zac's classmates, makes a sexual advance toward Zac and begins to follow him. Zac begins a sexual relationship with Michelle, but one day while the two are in the park, he notices Toto watching and later beats up Toto at school. Zac's relationship with Michelle causes his father to ease off. However, Gervais sees Zac and Toto stepping out of his car as Zac adjusts his crotch. Gervais angrily confronts him, saying what he did was wrong. Gervais tells Laurianne that homosexuality is learned and unnatural and determines to strip Zac of it through therapy. Zac tells the therapist that he and Toto masturbated together in the car but did not touch each other. The therapist says that Zac intentionally, albeit subconsciously, did it so his father would catch him and accept Zac's homosexuality.

At Christmas dinner in 1980, Zac and Michelle's relationship has become closer and more physical. Christian announces his engagement. Raymond moves back in with his parents, constantly borrowing money, not returning it, and lying to his parents about staying clean. Outside Christian's wedding reception, Zac and Paul are viewed by a passer-by who mistakenly believes they are kissing and informs another guest. Gervais overhears, and confronts Zac, and Zac confesses that he and Paul were giving each other shotguns. Gervais does not believe him. Zac yells, “Yeah, something happened, but not with him! You know with who. Nothing happened earlier, but I would've fucking loved it if something had!" A sobbing, eavesdropping Michelle runs out of hiding.

Zac flies to Jerusalem. Disgusted with himself after a gay sexual escapade, he walks into the desert and collapses in exhaustion. At the same time in Quebec, his mother awakens, splashing water on her face while Zac lies in the desert. A Bedouin, who has found Zac, is dripping water on Zac's face and takes Zac into his care.

Zac returns home to find Raymond has been hospitalized after a heroin overdose. Gervais admits partial blame for Raymond and Zac's troubles but also admits an inability to accept Zac's homosexuality. Zac makes amends with Michelle. Raymond dies. After the funeral, "Crazy" plays as the brothers say goodbye to their parents, each seeming surprised to receive a hug from Gervais, Zac’s especially emotional. At the end of the movie, Zac narrates, "I don't know if it was Raymond's passing, or if time heals all wounds, but my father had become my father once more. Although, it took him 10 years to allow me into his home with a lover, and we've never mentioned our differences since nor Patsy Cline.”

Latter Days is a 2003 American romantic drama film about a gay relationship between a closeted Mormon missionary and his openly gay neighbor. The film was written and directed by C. Jay Cox. It stars Steve Sandvoss as the missionary, Aaron, and Wes Ramsey as the neighbor, Christian. Joseph Gordon-Levitt appears as Elder Ryder, and Rebekah Johnson as Julie Taylor. Mary Kay Place, Amber Benson and Jacqueline Bisset have supporting roles.

Latter Days premiered at the Philadelphia International Gay & Lesbian Film Festival on July 10, 2003 and was released in various states of USA over the next 12 months. Later the film was released in a few other countries and shown at several gay film festivals. It was the first film to portray openly the clash between the principles of The Church of Jesus Christ of Latter-day Saints and homosexuality, and its exhibition in some U.S. states was controversial. Various religious groups demanded that the film be withdrawn from theaters and video stores under boycott threats.

The film was met with mixed reactions from film critics, but was popular with most film festival attendees. At the North American box office however, Latter Days only made $834,685, barely covering the productions costs with an estimated budget of $850,000. In 2004, freelance writer T. Fabris made Latter Days into a novel, which was published by Alyson Publications.



Magnifico is a 2003 FAMAS Award-winning drama film directed by Maryo J. De los Reyes, written by Michiko Yamamoto, and starring Jiro Manio, Lorna Tolentino, Albert Martinez, Gloria Romero

Set in an impoverished town, a couple begin to lose hope and courage when faced with life's adversities - a daughter who suffers from cerebral palsy, a son who loses his scholarship, and a young boy named Magnifico or Ikoy, who is not so good in school. But Ikoy is gifted with a good heart and a large spirit that allows him to give joy to hopeless people in their community and magically transforms their lives for the better. Babette's Feast (Danish: Babettes gæstebud) is a 1987 Danish film directed by Gabriel Axel. The film's screenplay was written by Axel based on the story by Isak Dinesen (Karen Blixen), who also wrote the story which inspired the 1985 Academy Award winning film Out of Africa. Produced by Just Betzer, Bo Christensen, and Benni Korzen with funding from the Danish Film Institute, Babette's Feast was the first Danish cinema film of a Blixen story. It was also the first Danish film to win the Academy Award for Best Foreign Language Film.

The elderly and pious Christian sisters Martine (Birgitte Federspiel) and Philippa (Bodil Kjer) live in a small village on the remote western coast of Jutland in 19th-century Denmark. Their father was a pastor who founded his own strict Christian sect. With their father now dead, and the sect drawing no new converts, the aging sisters preside over their dwindling congregation of white-haired, rural resident believers.

The story flashes back 49 years, showing the sisters in their youth. The beautiful sisters have many suitors, but their father rejects them all, and indeed derides marriage.

Each daughter is courted by an impassioned suitor visiting Jutland – Martine by a charming young Swedish cavalry officer, Lorens Löwenhielm, sent to stay with his aunt in Jutland for the summer to correct bad behavior. Philippa is pursued by a star baritone, Achille Papin, from the Paris opera, on hiatus to the silence of the coast.

The young officer Lorens, upon meeting Martine, envisions "a higher and purer life without creditor's letters or parental lectures and with a gentle angel at his side." He attends the congregation's meetings, but feels unnoticed by Martine. Finally, he walks away feeling unworthy of Martine, having spent his life as a dissolute gambler.

When the French baritone attempts to take Philippa to Paris and gets carried away and kisses her during a rehearsal of a duet from Don Giovanni, Philippa decides to discontinue the lessons and turns down his offer of stardom and wealth.

Thirty five years later, Babette Hersant (Stéphane Audran) appears at their door. She carries only a letter from Philippa's former suitor, the singer Achille Papin, explaining that she is a refugee from counter-revolutionary bloodshed in Paris, and recommending her as a housekeeper. The sisters take Babette in, and as their cook for the next 14 years, she serves as a modest but benign figure who gradually eases their lives and the lives of many in the remote village. Her only link to her former life is a lottery ticket that a friend in Paris renews for her every year. One day, she wins the lottery of 10,000 francs. Instead of using the money to return to Paris and her lost lifestyle, she decides to spend it preparing a delicious dinner for the sisters and their small congregation on the occasion of the founding pastor's hundredth birthday. More than just a feast, the meal is an outpouring of Babette's appreciation, an act of self-sacrifice; Babette tells no one that she is spending her entire winnings on the meal.

The sisters accept both Babette's meal and her offer to pay for the creation of a "real French dinner". Babette returns to Paris to arrange for supplies to be sent to Jutland. The ingredients are plentiful, sumptuous and exotic, and their arrival causes much discussion amongst the village. As the various never-before-seen ingredients arrive, and preparations commence, the sisters begin to worry that the meal will become a great sin of sensual luxury, if not some form of devilry. In a hasty conference, the sisters and the congregation agree to eat the meal, but to forego speaking of any pleasure in it, and to make no mention of the food during the entire dinner. br />
The final part of the film is the preparation and the serving of Babette's banquet, lavishly deployed in the unadorned austerity of the sisters' rustic home. The film, previously showing mainly winterly whites and grays, gradually picks up more and more colors, focusing on the various and delectable dishes.

Martine's former suitor, Lorens, now a famous general married to a member of the Queen's court, reappears as one of the guests with his aunt, the local lady of the manor and a member of the old pastor's congregation. He is unaware of the other guests' austere plans, and as a man of the world and former attache in Paris, he is the only person at the table qualified to comment on the meal. He regales the guests with abundant information about the extraordinary food and drink, comparing it to a meal he enjoyed years earlier at the famous "Café Anglais" in Paris.

Although the other celebrants refuse to comment on the earthly pleasures of their meal, Babette's gifts breaks down their distrust and superstitions, elevating them physically and spiritually. Old wrongs are forgotten, ancient loves are rekindled, and a mystical redemption of the human spirit settles over the table.

Babette's menu begins with an amontillado and features "Potage à la Tortue" (turtle soup); "Blinis Demidoff au Caviar" (buckwheat cakes with caviar and sour cream); "Caille en Sarcophage avec Sauce Perigourdine" (quail in puff pastry shell with foie gras and truffle sauce); a salad featuring Belgian chicory and walnuts in a vinaigrette; and "Les Fromages" featuring blue cheese, papaya, figs, grapes, pineapple, and pomegranate. The grand finale dessert is "Savarin au Rhum avec des Figues et Fruits Glacées" (rum sponge cake with figs and glacéed fruits). Numerous rare wines, including an 1845 Clos de Vougeot, along with an 1860 Veuve Clicquot champagne and spirits, complete the menu. Babette's purchase of the finest china, crystal and linen with which to set the table ensures that the luxurious food and drink is served in a style worthy of Babette, who is none other than the famous former Chef of the Café Anglais. Babette kept her past a secret from the sisters for years, not revealing it until after the meal.

The sisters assume that Babette will now return to Paris, and when she tells them that all of her money is gone and that she is not going anywhere, the sisters are aghast. Babette then tells them that dinner for 12 at the Café Anglais has a price of 10,000 francs. Martine tearfully says, "Now you will be poor the rest of your life", to which Babette replies, "An artist is never poor."

This is a remake of the 3 Idiots Movie. I like the original better than this remake.

Cliffhanger is a 1993 American action-adventure thriller directed by Renny Harlin and starring Sylvester Stallone and John Lithgow. Stallone plays a mountain climber who becomes embroiled in a failed heist set in a U.S. Treasury plane flying through the Rocky Mountains. The film was a box office success, earning more than $250 million worldwide.

Jamie (Glen Berry), a teen who is infatuated with his classmate, Ste, has to deal with his single mother Sandra (Linda Henry), who is pre-occupied with ambitious plans to run her own pub and with an ever-changing string of lovers, the latest of whom is Tony (Ben Daniels), a neo-hippie. Sandra finds herself at odds with Leah (Tameka Empson), a sassy and rude neighbour who has been expelled from school, does several drugs, and constantly listens and sings along to her mother's Cass Elliot records. While Jamie's homosexuality remains concealed, his introvert nature and dislike of football are reason enough for his classmates to bully him at every opportunity.

Ste (Scott Neal), who is living together with his drug-dealing brother and abusive, alcoholic father in the flat next door, is one night beaten by his brother so badly that Sandra takes pity and lets him sleep over. In the absence of a third bed, Ste has to make do with sleeping 'top-to-toe' with Jamie. On the second night they share a bed: after a massage and a minor conversation, the boys soon change sleeping arrangements and Jamie kisses Ste for the first time.

The next morning, Ste panics and leaves before Jamie awakens, avoiding him for days. Jamie works up the nerve to steal a Gay Times from a newsagent, apparently starting to accept his sexuality and affection for Ste. Jamie finally spots Ste at a nearby party and confronts him; they prepare to leave together. The party ends badly, with Sandra taking vengeance on Leah for gossiping, who then threatens to 'spill the beans' about Ste and Jamie and confesses to having covered up for Ste in front of his father and brother. Ste reacts poorly, angrily rejecting Jamie and running away.

Slowly, Ste accepts Jamie's love and their relationship begins to develop as they visit a gay pub together. Sandra follows them and discovers their secret, and the film reaches its climax as a bad trip by Leah (on an unnamed drug) precipitates Sandra's breakup with Tony; the news of Sandra's new job comes out; and Sandra confronts Ste and Jamie. Sandra comes to accept her son's relationship.

Part 1 Part 2 Part 3 Part 4 Part 5 Final Part Bangkok Love Story was released in Thailand cinemas on August 13, 2007. The film proved popular, with the Bangkok Post stating it was “the movie everybody has been talking about". The film earned US$325,000 in its Thailand theatrical run. br />
Critical reception was mixed. The weekly BK Magazine stated that the film suffered from being overly melodramatic, but praised the cinematography by Tiwa Moeithaisong, which "turns Bangkok into a character in its own right." Reviews from the Bangkok English-language daily The Nation were characterised as "dismissive".

LGBT-related website Fridae praised Bangkok Love Story as "the boldest Thai gay movie to date." It additionally praised the film for being a departure from the Thai LGBT genre, which generally features coarsely stereotyped kathoey transvestite caricatures. Gay Thai independent film producer Vitaya Saeng-aroon similarly praised the film, saying director Poj Arnon was "brave enough to shake society up".

Bangkok Love Story was screened at the 34th Brussels International Independent Film Festival, where it won the top prize, the Grand Award in all Categories. It was also the Opening Night selection for the 2007 Hong Kong Lesbian and Gay Film Festival, and played at the 2008 London Lesbian and Gay Film Festival.

TLA Releasing acquired theatrical, home video, television and video on demand rights for North America and the United Kingdom. The company plans to release the film in those territories in summer 2008. This movie has been compared to Brokeback Mountain.



Frank Moses, a former black-ops CIA agent, is retired and living a quiet life in Parma Heights, Ohio. However, Frank feels lonely and often chats on the phone with Sarah, a customer service agent working for his pension office in Kansas City. He creates opportunities to talk to her by tearing up his pension checks and calling her to say they had never arrived.

His life is disrupted when a hit squad raids his house in the middle of the night. Frank kills the assassins and, knowing they have tapped his phone, goes to Kansas City to protect Sarah. She becomes Frank's reluctant companion, while he tries to find out who is trying to kill him, and track down his old black ops team for help. Meanwhile, CIA agent William Cooper is assigned to hunt and kill Frank.

Frank first goes to New Orleans and finds his terminally ill mentor Joe Matheson, living in a retirement community. Joe tells Frank that the same hit squad was also responsible for the murder of a New York Times reporter. While avoiding Cooper, Frank and Sarah find clues left behind by the deceased reporter, which leads them to a hit list. They then track down Marvin Boggs, also a former black ops agent and a paranoid conspiracy theorist, to provide more information. Marvin tells them that the names on the list are all connected to a 1981 secret mission in Guatemala in which Frank and Marvin participated, and that one person, Gabriel Singer, is still alive. The trio track down Singer, who tells them that the mission involved extracting a person from a village and that everybody on the list has been killed to silence them. Singer is then assassinated by a helicopter-borne machine-gunner, and the team escapes as Cooper closes in. With the help of an Ex-Russian secret agent Ivan Simanov, Frank and Sarah infiltrate the CIA headquarters to steal the file but Frank is injured in the process. Joe, having escaped an attempt on his life, comes and helps extract the team. They all hide out in the home of Victoria, who also misses her old life as a wetwork agent and joins the team.

After reviewing the file, all the team can figure out is that the only man involved on the reporter's list but not in the file, Alexander Dunning, has some way of protecting himself. The team arrives at Dunning's house, where he reveals under interrogation that the mission was to extract Vice-President Robert Stanton, who at the time was a young lieutenant who experienced a breakdown and massacred the occupants of the village. It becomes apparent that Stanton is trying to erase all the loose ends as he plans to run for president. At that moment, Cooper and the FBI surround Dunning's mansion. Cooper tries to negotiate Frank's surrender, but Frank tells Cooper about the vice-president's treachery, which shakes his faith. Joe sacrifices himself by taking Frank's place and pretending to give up. To create a diversion, Victoria kills Joe (who is still disguised as Frank) as he leaves the mansion. The confusion buys the team enough time to escape, but Sarah is captured. Frank calls Cooper and threatens his family if Sarah is harmed, and says that he intends to kill Stanton.

The team, along with Ivan (revealed to be Victoria's former lover), infiltrate Stanton's fundraising gala in Chicago and successfully kidnap him despite Cooper's best efforts to stop them. Frank calls Cooper and says he is willing to trade Stanton for Sarah. At the meeting point, Dunning arrives and reveals that he is the mastermind behind the assassinations and that Stanton was merely a pawn. Cooper's handler, Cynthia Wilkes is also in on the plot. Disgusted with Dunning and Wilkes' greed and corruption, Cooper shoots Wilkes while Marvin and Victoria kill Dunning's bodyguards, and Frank crushes Dunning's windpipe. Cooper agrees to let Frank and his team go. As they leave the scene, Frank and Sarah are eager to start a new life together.

The final scene shows Frank and Marvin in Moldova, fleeing from Moldovan Army troops with a stolen nuclear device, in a wooden wheelbarrow with Marvin wearing a dress being pushed by Frank.



My Own Private Idaho is a 1991 independent drama film written and directed by Gus Van Sant, loosely based on Shakespeare's Henry IV, Part 1, Henry IV, Part 2, and Henry V, and starring River Phoenix and Keanu Reeves. The story follows two friends, Mike and Scott, as they embark on a journey of personal discovery that takes them to Mike's hometown in Idaho and then to Italy in search of Mike's mother.

Van Sant originally wrote the screenplay in the 1970s, but discarded it after reading John Rechy's 1963 novel, City of Night, and concluding that Rechy's treatment of the subject of street hustlers was better than his own. Over the years, Van Sant rewrote the script, which comprised two stories: that of Mike and the search for his mother, and Scott's story as a modern update of the Henry IV plays. Van Sant had difficulty getting Hollywood financing, and at one point considered making the film on a minuscule budget with a cast of actual street kids. He sent copies of his script to Reeves and to Phoenix, assuming that they would turn it down, but both agreed to star in the film.

My Own Private Idaho had its premiere at the 1991 Venice Film Festival, and received largely positive reviews, from critics including Roger Ebert and those of The New York Times and Entertainment Weekly. The film was a moderate financial success, grossing over $6.4 million in North America, which was above its estimated budget of $2.5 million. Phoenix received several awards for his performance in the film, including the Volpi Cup for Best Actor at the 1991 Venice Film Festival, Best Male Lead from the Independent Spirit Awards, and Best Actor from the National Society of Film Critics.

Get Real is a 1998 British drama film directed by Simon Shore, based on the play What's Wrong With Angry? by screenwriter Patrick Wilde. The plot is about gay teenager Steven Carter's coming out to the world. The film was shot in and around Basingstoke, England. Steven Carter (Ben Silverstone) is a sixteen-year-old middle-class schoolboy: intelligent and good-looking, but unathletic and introverted. Bullied at school, misunderstood at home, his only confidant is his neighbor and best friend, Linda (Charlotte Brittain), and his only sexual outlet is cruising the local park toilet. The film ranked number 34 on Entertainment Weekly's list of the 50 Best High School Movies.

The film was well received by many critics, and subsequently nominated for eight awards, and won six, including the British Independent Film Award 1998. In the Seattle Post-Intelligencer, Paula Nechak praised the film for allowing the characters to be themselves rather than change to fit in, and praises the treatment of the 'jock' character John as being just as bound by the school popularity game as Steven.

In the Daily Record, Siobhan Synnot criticised the film as being like a "preachy episode of Grange Hill with cardboard cut-out characters" and also criticised the John character for being unbelievable, describing him as "simply a bland fantasy hunk. It's hard to see how this dim bulb is bright enough for Oxford, because all the smart lines go to his smart-alec boyfriend.

A couple gay married Goran and Sven have been cleared for adoption and they have a possibility to adopt a Swedish orphan, Patrick 1,5. But when Patrick arrives he turns out to be someone else, not the little boy they were expecting. A comma had been misplaced, and in comes a 15-year-old homophobic with a criminal past.

The Tunnel is a 2011 Australian horror film directed by Carlo Ledesma, and co-written, co-produced and co-edited by Julian Harvey and Enzo Tedeschi. The film stars Bel Deliá, Andy Rodoreda, Steve Davis, Luke Arnold, Goran D. Kleut and James Caitlin, in a documentary-style horror story set in the underground network of abandoned railway tunnels in Sydney, Australia.

In 2007, in the midst of the drought and water shortages, the NSW State government has unveiled plans to recycle millions of litres of water trapped in a network of abandoned train tunnels beneath the heart of Sydney. However, the government suddenly goes cold on the plan and it is not made public why. There is talk of homeless people who use the tunnel as shelter going missing. This, and the silence from the ministers, leads a journalist, Natasha to begin an investigation into a government cover-up. She and her crew Peter (producer), Steven (cameraman) and Tangles (sound technician) decide to investigate the story and plan to enter the tunnels themselves. After being refused entry to the tunnels by a security guard, they find an alternate entry and make their way inside. They proceed to explore the tunnels and locate various abandoned homeless squats and sections used as air raid shelters in the 1940s.

They come upon the huge underground lake and while filming, Tangles hears strange noises through the audio headphones. However, he takes it as a joke and the group heads to the room where the WWII air raid bell is. To get footage of the bell ringing, Natasha hits on it but Tangles says it is distorting the audio. He decides to take the boom-mike into an adjoining room to reduce the sound levels, leaving Peter with the headphones to listen for distortion in the bell volume. Natasha hits it again and Peter hears something very disturbing in the headphones. Tangles' audio cable is suddenly pulled through the opening, snapping and disappearing. The rest of the crew panics and goes to look for Tangles.

The scene switches to the interview, where Natasha is allowed to hear this recording for the first time. As the sound of the bell plays, screams of agony can be clearly heard before the headphone wire snaps. Upon going back to the bell room, the crew finds that all their equipment is gone. While searching for Tangles, they find a room blocked off by corrugated metal. Natasha places down the camera to help Peter and Steve. They get into the room and are horrified to find blood everywhere and Tangles' abandoned torch. At the entrance of the room, Natasha picks up the camera, seeing that it was not where she had left it, so they review the footage and a glimpse of whatever it was that had picked the camera up is seen. Someone is apparently stalking them.

The crew ventures through the tunnel, wishing to find a way out. They hear noises of a person calling down, and come upon the security guard that had earlier refused them entry. They tell him that one of their crew has gone missing but the guard tells them to quickly follow him and get out. Something pounces on the guard as he nears a corner, dragging him out of sight. The group flees, screaming in terror through blood-spattered corridors. They hide in a room and stay there until they decide the creature has gone. Trying to find a way out, they return to the underground lake. Hearing something, they extinguish all light and use the night-vision camera to look towards the sound. There, Natasha watches as the security guard, with water up to his chest and whimpering with pain from his empty eye sockets, is murdered by what appears to be an emaciated, tall humanoid, who twists his head completely around, snapping his neck. She lets out a scream, attracting the creature's attention, and the terrified group runs.

They come to a dead-end with a barred opening into a street above them, and continue searching for an exit. At one point, the creature attempts to grab Peter. However, as Steven shines the camera's light on them, the creature immediately retreats. Steven realizes that the creature is vulnerable to light. Upon reaching another dead-end, Natasha discovers a side route. Upon entering this new room, they find signs of some living being, and a small pile of fresh human eyeballs. The main camera loses power, causing Steve to frantically attempt to replace the battery. Just as the power switches the light on again, the creature attacks, knocking Peter and Steven to the ground. Natasha, panic-stricken, runs off with the night-vision camera. On her own, she stays in silence, but is confronted by the creature, who cracks the camera lens as it grabs at her, dragging her with the small camera still recording. Steven and Peter follow the sound of her screams and the creature's movements.

Through the night-vision camera, it is shown that Natasha is dragged back to the lake. The creature attempts to drown Natasha but before it can succeed, Steven and Peter use the light to chase it away. As Steven helps Natasha, Peter is heard screaming and challenging the creature, drawing them away from the other two. Steven manages to drag Natasha to a well-lit tunnel near a train station. They rush back and drag a badly-wounded Peter to the safety of the train platform. There, captured on CCTV, Natasha begs for help. The crew ends up staying in the tunnel all night.

In the epilogue, it is stated that the coroner found that Peter died from extensive internal bleeding. Natasha resigned after the underground shoot, no longer working as a journalist. Steven still works as a news cameraman. Tangles' whereabouts remained unknown and his family are still searching for answers. The police investigation was closed due to 'contradictory evidence'. No state government official or police representative agreed to be interviewed in the film.



Charlie Babbitt (Tom Cruise), a Los Angeles car dealer in his mid-twenties, is in the middle of importing four grey market Lamborghinis. The deal is being threatened by the EPA, and if Charlie cannot meet its requirements he will lose a significant amount of money. After some quick subterfuge with an employee, Charlie leaves for a weekend trip to Palm Springs with his girlfriend, Susanna (Valeria Golino).

Charlie's trip is cancelled by news that his estranged father, Sanford Babbitt, has died. Charlie travels to Cincinnati, Ohio, to settle the estate, where he learns an undisclosed trustee is inheriting $3 million on behalf of an unnamed beneficiary, while all he is to receive is a classic Buick Roadmaster convertible and several prize rose bushes. Eventually he learns the money is being directed to a mental institution, which is the home of his brother with autism, Raymond (Dustin Hoffman), of whose existence Charlie was previously unaware. This leads Charlie to ask the question that permeates the movie: "Why didn't somebody tell me I had a brother?"

Although Raymond has autism, he also has superb recall, albeit usually with little understanding of the subject matter, and extreme skill in mathematics. He is said to be a savant by some doctors. He is frightened by change and adheres to strict routines (for example, his continual repetition of the "Who's on First?" sketch). Except when he is in distress, he shows little emotional expression and avoids eye contact. Numbed by learning that he has a brother and determined to get what he believes is his fair share of the Babbitt estate, Charlie takes Raymond on what becomes a cross-country car trip (due to Raymond's fear of flying) back to Los Angeles to meet with his attorneys.

Charlie intends to start a custody battle in order to get Raymond's doctor, Dr. Gerald R. Bruner (Jerry Molen), to settle out of court for half of Sanford Babbitt's estate so that the mental institution can maintain custody of Raymond. Susanna, disgusted by Charlie's self-centeredness and his attempts at using his brother as a pawn to gain the money, leaves Charlie in Cincinnati and disappears. During the course of the journey, Charlie learns about Raymond's autism, which he initially believes is curable — resulting in his frequent frustration with his brother's antics. He also learns about how his brother came to be separated from his family, as a result of an accident when he was left alone with Charlie when Charlie was a baby.

Raymond also sings "I Saw Her Standing There" by The Beatles like he did when Charlie was young, prompting Charlie to realize that Raymond is the protective figure from his childhood, whom he falsely remembered as an imaginary friend named "Rain Man." Charlie proves to be sometimes shallow and exploitative, as when he learns that Raymond has an excellent memory and takes him to Las Vegas to win money at blackjack by counting cards. However, towards the end of their trip Charlie finds himself becoming protective of Raymond, and grows to truly love him.

Charlie finally meets with his attorney to try to get his share of his inheritance, but then decides that he no longer cares about the money and really just wants to have custody of his brother. However, at a meeting with a court-appointed psychiatrist and Dr. Bruner, Raymond is unable to decide exactly what he wants. Eventually, the psychiatrist presses Raymond to make the decision, upsetting him and leading Charlie to request that the doctor back off. Raymond is allowed to go back home to Cincinnati. Charlie, who has gained a new brother and mellowed considerably, promises Raymond as he boards an Amtrak train that he will visit in two weeks. Rain Man was the Academy Award winner movie in 1988.

Wedlock (originally known as Deadlock) is a 1991 American science fiction-action television film from HBO Films, directed by Lewis Teague and starring Rutger Hauer, Mimi Rogers, Joan Chen and James Remar. It received an Emmy Nomination for Sound Editing.

After stealing diamonds in a robbery, diamond thief Frank Warren is betrayed by his best friend Sam and his fiancée Noelle, who turns him into the authorities. Frank is sentenced to 12 years imprisonment at Camp Holliday, an experimental prison where each convict is given an electronic collar containing an explosive device which is electronically connected to another inmate. If any inmate tries to escape from Camp Holliday and is separated from the collar-mate by more than 100 yards, their collars will explode. Frank learns the inmate he is connected to is Tracey Rigg and Tracey and Frank both escape with their collars intact. On the run from the authorities, Tracey and Frank find they are being pursued by Sam and Noelle, believing Frank will lead them to the diamonds, which he has hidden. Can Frank and Tracey get to the diamonds without separating from each other more than 100 yards?

A group of Anglican nuns travel to a remote location in the Himalayas (the Palace of Mopu, near Darjeeling) to set up a school and hospital and 'tame' the local people and environment, by conversion and gardening, only to find themselves increasingly seduced by the sensuality of their surroundings in a converted seraglio, and by the local British agent Dean (David Farrar). Clodagh (Deborah Kerr), the Sister Superior, is attempting to forget a failed romance at home in Ireland. Tensions mount as Dean's laid-back charm makes an impression on Clodagh, but also attracts the mentally unstable Sister Ruth (Kathleen Byron), who becomes pathologically jealous of Clodagh, resulting in a nervous breakdown and a violent climax. In a subplot, 'the Young General' (Sabu), heir to the throne of a princely Indian state who has come to the convent for his education, becomes infatuated with Kanchi, a lower caste dancing girl (Jean Simmons).

Deviations from the novel-While much of the film's dialogue is taken verbatim from the novel, the film does not follow the novel exactly. In particular the film does not include Mr Dean's rejection of Sister Clodagh's design for the chapel, in favour of his own design of an open-sided building without door, located atop the ridge, above the Holy Man. Additionally, the film does not have Sister Philippa being replaced by Sister Adela, a stern nun who is horrified at the dereliction of duty by the original nuns.

The filmmakers were recognized with several awards for their work on Black Narcissus: Jack Cardiff won an Academy Award for Best Cinematography and a Golden Globe Award for Best Cinematography, Alfred Junge won an Academy Award for Best Art Direction, Deborah Kerr won a New York Film Critics Circle Award for Best Actress

Lawyer Erin Bruner defends a priest, Father Richard Moore, who is charged in connection with an exorcism that lead to the death of Emily Rose. The trial begins with the calling of several medical experts by the prosecutor, Ethan Thomas. One expert testifies that Emily was suffering from both epilepsy and psychosis. The defense contests that she may have actually been possessed, though Bruner is careful never to say that in so many words. Indeed, Bruner explains that Emily was suffering from something that neither medicine nor psychology could explain, and that Moore as well as her family realized this and tried to help in another way. Several flashbacks show how this began.

In a flashback, Emily's ordeal is shown. Alone in her dorm room one night, at 3:00 AM, Emily notices a strange burning smell coming from the hallway. When she checks on it, she sees the door open and shut by itself several times. When she goes back to her room, she sees a jar of pencils and pens move by itself. Additionally, her bedclothes roll themselves down and a great weight seems to press down on her, a force which also proceeds to choke her. Through these episodes, she wonders if they are really happening or if they are just hallucinations. She suffers more visions, is hospitalized, and diagnosed with epilepsy. She is given anti-seizure medications, which she claims do not work. Her visions continue, as do her severe bodily contortions.

She leaves school and returns to live with her parents. She and her parents become convinced she is neither epileptic nor mentally ill, but is possessed by demons. They ask for their local parish priest to be called in to perform an exorcism, and the Church agrees. The prosecution argues that all this could be explained by a combination of epilepsy (the contortions) and psychosis (the visions).

As the trial proceeds, Bruner begins to experience strange occurrences in her apartment at 3:00 AM, including strange smells and sounds. Moore warns her that she may be targeted by demons for possibly exposing them. Later in the film, he explains that 3:00 AM is the "devil's hour," which evil spirits use to mock the Holy Trinity. Significantly, it is the opposite of 3:00 PM, traditionally taken to be the hour at which Jesus died.

Seeing that the prosecution is putting up a seemingly solid medical case, Bruner decides to try to show that Emily may have actually been possessed. She calls in Dr. Sadira Adani, a professor in anthropology and psychiatry, to testify about various cultures' beliefs about spiritual possession. Adani quotes Carlos Castaneda's A Separate Reality as means to understand the subject, and suggests that Emily was a hypersensitive. Thomas objects, and dismisses the testimony as pseudoscience.

Dr. Cartwright, a medical doctor present during the exorcism, comes forward to reveal an audio recording made during the rite. Moore is then called to the stand to testify. The recording is played, and the film then flashes back to the exorcism. It is performed on Halloween night, because Moore believes it might be easier to draw out the demons on that night. Emily breaks her ties and jumps out a window, running into a barn. They follow her, and inside the barn, they are subjected to such phenomena as unnatural gusts of wind and demonic screams and voices. The demon inside Emily refuses to name itself after repeated demands from the presiding Father, but finally reveals contemptuously that there are not one but six demons. They go on to identify themselves in dramatic fashion, naming themselves one after another in dual voices from Emily. They identify themselves as the demons who possessed Cain, Nero, and Judas Iscariot, as well as the demons Legion, Belial, and Lucifer himself. Each manifests himself in corresponding native language: Hebrew ("אני הוא ששוכן בתוך קין", Ani hu sheshokhen betokh Cain, I am the one who dwelt within Cain), Latin ("Ego sum qui (in?)habitavit in Nerone", I am the one who inhabited Nero), ancient Greek ("ενοίκησα πάροιθεν εν Ιούδαι", enoikesa paroithen en Iouda, I dwelt before within Judas), German ("Und ich [war] mit Legion", And I was with Legion) and Aramaic (ܐܢܐ ܒܠܝܐܝܠ,Ana Belial, I am Belial) consecutively. Emily then finally utters in English "And I am Lucifer, devil in the flesh".

Bruner calls Moore back to the stand the next day. He reads a letter that Emily wrote before she died. In the letter, Emily describes another vision she had the morning after the exorcism. She walks out of the house and experiences a Marian apparition, in which she is told that although the demons will not leave her, she can leave her body and end her suffering. However, the apparition goes on to say that, if Emily returns to her body, she will help to prove to the world that God and the devil are real. Emily chooses to return, concluding the letter by saying: "People say that God is dead. But how can they think that if I show them the devil?" She then receives stigmata, which Moore believes is a sign of God's love for her. Thomas counters that she could have incurred the wounds by self-injury.

Father Moore is ultimately found guilty; however, on a recommendation from the jury, the judge agrees to a sentence of time served. Bruner is offered a partnership at her firm, but she refuses and instead, she resigns. She goes with Moore to Emily's grave, where he has put a quote (which Emily recited to him the night before she died) from the second chapter twelfth verse of Philippians on her grave: "Work out your own salvation, with fear and trembling."